Full Article
about Hornillos de Eresma
Town on the Eresma River, known for its Baroque church and riverside pine setting.
Ocultar artículo Leer artículo completo
The wheat stops swaying when the wind drops. Suddenly the only sound is boot leather on gravel and the creak of a rucksack hip-belt. Most people reach Hornillos de Eresma at exactly this moment—about four hours after leaving Castrojeriz, lungs still adjusting to the 718-metre altitude and eyes scanning the horizon for shade that will not appear for another six kilometres. The village materialises as a thin line of low, ochre-coloured houses pressed against the camino track, as if someone laid a ruler across the plain and built exactly along the edge.
A single street, two doors open
Hornillos is technically a village, yet it feels like a hamlet that forgot to keep growing. One paved road, Calle Real, runs for 300 metres between wheat fields and ends in a farm gate. The rest is unpaved camino, dustier every week of summer. There is no shop, no cash machine, no pharmacy. What there is, open without fail, is Bar Abuela: white façade, plastic flowers in the window, hand-written sheet taped to the door—"Breakfast from 7.30, dinner from 19.30, closed Tuesday out of season." Inside, the owner keeps a tally of nationalities on a beer mat. On a busy May night the mat reads: UK 12, Korea 8, Italy 5, Spain 3. English becomes the default lingua franca simply because the Brits outnumber everyone else, a reversal of the usual coastal dynamic.
The menu never surprises. Garlic soup arrives first, thick enough to hold the spoon upright, followed by pollo asado con patatas or huevos fritos con patatas—comfort food for walkers who have spent the day dodging tractor exhaust on the N-120. A glass of house red costs €1.50 and tastes like a junior Rioja; the bottle on the counter is refilled from a five-litre plastic drum kept under the bar. Vegetarians get an extra wedge of tortilla, no argument, but the concept of vegan cheese still causes polite confusion.
Church, fountain and the chicken legend
The 12th-century Iglesia de San Román sits slightly elevated at the western end of the street, its stone the same colour as the soil. The door is usually unlocked; push it open and the temperature drops ten degrees. Inside, the surprise is a gilded wooden retable smuggled in during the 16th century—panels crowded with apostles who look as travel-worn as the people peering at them now. Guidebooks written for larger towns call the artwork "modest"; camino veterans call it "miraculous" that something so fragile survived centuries of roof leaks and barefoot summers.
Outside, a stone fountain gushes straight from the hillside. A laminated sign explains, in four languages, why it is known as the Chicken Fountain. The story changes with the teller: either a pilgrim’s hen drowned here and was revived by the cold water, or medieval villagers once hid their poultry inside the alcove during Moorish raids. Children fill bottles; adults splash faces and check for blisters. The water is potable, tested monthly by the regional government, though the mineral content keeps it just short of lukewarm even at dawn.
Beds fill by one o’clock
Accommodation is limited to the municipal albergue "Punto de Encuentro"—24 mattresses in a converted grain store, donation box by the door, hospitalero roster pinned above the kettle. In high season it reaches capacity shortly after 13:00; latecomers either push on to the next village or sleep on the church porch, a practice the mayor tolerates provided rucksacks are stacked neatly. British pilgrims have learned to message the hospitalero via WhatsApp if they are limping behind schedule; the number is written on a second sheet taped below the first, layers of sellotape adding their own archaeological record.
Showers are solar-heated, which sounds eco-friendly until a cloud drifts over at 19:00 and everyone washing dinner plates suddenly feels the temperature plummet. The single plug socket in the common room becomes a diplomatic flashpoint; adaptors are loaned on the strict understanding they return before departure.
Walking on, or staying put
Hornillos functions as a waypoint rather than a destination. Most visitors leave at sunrise, boots clumping past the cemetery where locals have left plastic flowers on pilgrim graves—Germans mostly, influenza epidemic 1920. Yet the village repays a slower rhythm. Afternoons elongate into siesta; swallows stitch the sky above the wheat; the church bell tolls the hour and nothing else happens for fifty-nine minutes. If you remain after the morning exodus you will see the postman arrive, swap gossip with the bar owner, and depart with three envelopes and a bag of day-old bread. Real life, unscripted.
Circular tracks head north into the pinewoods of Monte Alto de la Mota, shade finally guaranteed. The paths are unsigned but follow dry-stone walls; after 40 minutes you reach an abandoned resin-collectors’ camp, metal still attached to scarred pines. Squirrels and Iberian magpies provide the soundtrack; human footprints dwindle to zero. Spring brings carpets of purple crocus; autumn delivers saffron milkcaps that locals collect at dawn, backs bent like question marks.
How to arrive, why you might wait
The village sits 50 km south-west of Valladolid, reached by the CL-615 and a web of minor roads that GPS still mislabels. There is no bus service; the nearest taxi rank is in Castrojeriz, 19 km away, fare €18–22 if booked the previous evening. Drivers should note the single road is single-track for the final approach; wheat lorries have right of way and will force you into the verge twice before you reach the church square.
Mobile reception favours Movistar; Vodafone and EE users lean against the north wall of the church for one bar, a posture that looks devotional until you notice the phone held aloft. Weather follows Meseta rules: blazing May–September, wind that scours skin in March, and sudden October downpours that turn the camino into clay glue. Winter is quiet, albergue often closed, but the plain under frost has its own austere beauty—provided you packed thermal layers.
The honest verdict
Hornillos de Eresma will never feature on a regional tourism poster. It offers no souvenir shops, no evening wine-tasting tours, no Instagram viewpoint. What it does offer is a place to stop talking, look sideways at rural Spain, and remember that silence can still be a commodity. If that sounds like a slow afternoon wasted, stay in Burgos and take the coach tour. If it sounds like recovery, follow the yellow arrows out of the wheat and into the single street where the only decision required is whether to order coffee or beer—both arrive in identical small glasses anyway.