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about Montamarta
Next to the Ricobayo reservoir, the Virgen del Castillo chapel sits on a peninsula; a striking landscape of water and holm oaks.
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The cereal fields start the moment you leave the A-6. By the time the GPS says three kilometres, the tarmac narrows, the sky widens, and the only vertical feature is the grain silo that announces Montamarta. At 689 metres above sea level, the village sits on a slab of Castilian plateau so flat that the council once painted the water tower in alternating stripes so pilots could tell it apart from every other tower on the plain.
This is Tierra del Pan – “Bread Land” – and the name is a job description. Wheat, barley and oats roll out in rectangles whose colours change like calendar pages: acid-green after rain, champagne-gold before harvest, then the stubble phase that locals call “the hairdresser’s floor”. The horizon is ruler-straight; the only curves are the slow turns a tractor makes as it sows winter seed in October, headlights on at dawn because the field is forty football pitches long and darkness is cheaper than overtime.
A village that never learned to be pretty
Montamarta will not win Spain’s next “Pueblo Más Bonito” vote. There is no fortified hill, no almond-blossom ravine, no Instagram alley. The main street, Carretera de Zamora, is still technically the N-630, the old national road that once funnelled everything from Galician shellfish to Madrid fish markets. Lorries shake the window shutters at six-minute intervals; the village soundtrack is diesel, dog and distant combine.
Yet the place works. The bakery opens at 7 a.m. and sells out by 9.30. The pharmacy still measures cough syrup in centilitres and asks after your aunt. On Saturday morning men in work boots queue for the one cash machine, arguing politely about the price of diesel while the screen flashes “50 € notes only”. Nobody apologises for the wait – time is one crop that is never in short supply here.
Architecture is practical rather than photogenic. Granite footings, adobe walls the colour of custard powder, roof tiles that curl like stale tortilla chips. Here and there a nineteenth-century house sports an ornate balcony, but the iron is rusted and the paint has long since given up flaking. Across the square, the parish church of San Pedro keeps its doors locked unless it is Sunday or someone has died. Ask in the Bar Fisuk opposite and they will telephone the sacristan, who arrives with a key the size of a courgette and the resigned air of a man who has unlocked the same door for forty-three years.
Food without the theatre
There are no tasting menus, no chefs in clogs. What you get is a steak the size of a steering wheel and chips that arrive on a separate plate because the meat covers the entire rim. The chuletón al estilo zamorano at Fisuk is ordered by weight – figure on 800 g for two, €28 a kilo – and cooked rare because anything more is considered veterinary negligence. Locals wash it down with tinto de Toro in short glasses; Brits usually ask for water jugs once they see the alcohol content printed on the blackboard (14.5 %, and that is the house wine).
If beef feels too colonial, try patatas revolconas, a mash-up of potato, sweet paprika and torreznos that tastes like smoky bacon crisps redesigned as nursery food. Queso de Valdeón croquettes give you the tang of Spanish blue without the nose-wrinkling punch of Cabrales. Pudding is skipped; instead the waiter brings a bottle of aguardiente and two tiny plastic thimbles. Refusing is rude, accepting is lethal – the spirit tastes of aniseed and regret.
Lunch starts at 2 p.m. and the grill is scrubbed down by 4.30. Dinner does not exist; the kitchen reopens at 8.30 for “something light”, which in Montamarta means half a shoulder of lamb. If you want vegetables, order the mixed salad and pick out the tinned asparagus.
Walking nowhere in particular
The tourist office does not stock maps because every path is a grid. Pick any track that leaves the village from the western roundabout, walk for twenty minutes, and you will reach the embalse de Montamarta. In wet years the water laps against the foot of the Virgen del Castro hermitage; in drought the stone chapel stands high and dry like a ship on a yellow beach. Either way the reservoir smells of damp earth and carp. Anglers arrive at dawn with rods longer than their cars, park facing the water and listen to Radio Nacional through open windows.
Carry on another kilometre and the track deteriorates into two ruts separated by shoulder-high reeds. This is the moment to discover that Castilian flatness is an optical illusion: the land tilts almost imperceptibly towards the Duero, just enough to make the return stroll feel uphill. Take water – shade is as rare as a traffic light. In April the temperature can swing from 4 °C at 7 a.m. to 24 °C by lunchtime; in July the mercury sits stubbornly in the high thirties until well after sunset.
Cyclists share the lanes with tractors whose drivers wave you past without slowing. There are no gradients to speak of, which sounds relaxing until you realise the wind has been practising on these fields since France. Head south and you will eventually reach a stone pile called El Majano, a boundary marker older than most European capitals. Pause here and the silence arrives so abruptly it feels like ear pressure on a plane.
Night falls like a shutter. Street lights are kept low to save the council €3,000 a year, so once you step beyond the last house the Milky Way reappears in its full Victorian melodrama. On new-moon nights the sky is so dark that satellites are outshone by the glow from your phone screen; turn it off and you can watch the International Space Station skate overhead, bright as a Vespa headlamp.
When to come, when to stay away
Spring is the kindest season. Green shoots push through stubble, cranes migrate north in V-formation, and the thermometer behaves like an English June. Accommodation is never pressed – the village has one boutique hotel, El Palacete, eight rooms in a restored manor house, doubles €70 including breakfast toast thick enough to roof a shed. Book ahead for the second weekend in August when fiestas double the population and every cousin who ever left returns with folding chairs and opinions. The cash machine empties on Friday night; the chemist shuts early; the bakery runs out of sugar rings by nine. If you crave silence, avoid 15–20 August. If you want to see a Castilian village remember how to party, book a room in May, ask for a balcony, and bring earplugs.
Winter is honest. Daytime temperatures hover around 6 °C, nights drop to –5 °C, and the wind carries enough grit to exfoliate. The parched air makes fingers crack; hand cream is not vanity, it is first aid. But the sky turns the colour of bleached denim and the grain silo smokes in the early sun like a lit match. On Sundays you can follow the smell of woodsmoke to houses where families still gather round the matanza, slaughtering a pig they fattened in the back yard. Nothing is wasted: blood for morcilla, fat for manteca colourá, skin for chicharrones that snap like top-quality pork scratchings. Visitors are not turned away; they are handed an apron and a glass of wine and expected to stir the pot.
How to get here – and why you might not bother
Fly to Madrid, pick up a hire car, aim north-west on the A-6 for two hours and fifteen minutes. Leave at junction 255, drift through the service road, and Montamarta appears before you have finished adjusting the seat belt. There is no railway, no shared taxi, no Uber. The daily bus from Zamora is timed for schoolchildren and returns at 1 p.m.; miss it and you are hitch-hiking through wheat.
So why come? Because the plateau teaches scale. Because a steak cooked over vine cuttings tastes better when the nearest neon sign is forty kilometres away. Because somewhere between the silo and the horizon you remember that “nothing to do” can be a full diary. Montamarta will not change your life, but it might slow it down to the speed of a tractor in second gear, and that is sometimes enough.