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about Forès
The Conca lookout sits atop a hill with views reaching the sea.
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The church bell strikes noon, but nobody's counting. In Forès, time moves with the shadows across stone rather than digital displays. Forty-seven souls call this hilltop village home, though on most days you'd struggle to spot half that number. The silence isn't empty—it's full of things the coast has forgotten: wind through almond branches, boots on medieval cobbles, the occasional tractor grinding gears somewhere below.
At 866 metres above the Conca de Barberà, Forès hovers between earth and sky like an afterthought of the Middle Ages. The climb from Tarragona takes forty-five minutes on the N-240 towards Lleida, then a sharp right onto the TV-7001 where the road narrows and starts asking questions of your tyres. Hairpin follows hairpin until the valley floor disappears and the only thing ahead is stone and horizon.
Stone That Remembers
Santa María doesn't announce itself with spires or grandeur. The twelfth-century church squats at the village centre, its square bell tower more fortress than beacon. Inside, the air carries 900 years of candle smoke and the faint sweetness of dried herbs. The Romanesque arches aren't trying to impress—they simply exist, like the hills outside, with the patience of things built to outlast their builders.
Walk twenty paces east and the medieval wall appears, or what's left of it. A gateway barely wider than a donkey cart frames views west towards Montblanc, the comarca's capital twelve kilometres distant. The castle that once commanded these heights survives only as foundation stones and imagination. Yet standing here on a clear March morning, with the Prades mountains cutting blue silhouettes against the sky, the strategic logic remains obvious. Whoever held Forès held the valley roads.
The village circuit takes thirty minutes if you're brisk, two hours if you let the stones talk. Each doorway tells its own small history—1709 carved here, a Gothic arch there, a window bricked up during some forgotten war or tax assessment. Children once played in these alleyways; now cats patrol the same stones with similar indifference to human schedules.
Walking Into the Past
The GR-175 long-distance path skirts the village boundary, but better discoveries lie on the unmarked farm tracks radiating towards abandoned masias. These stone farmsteads, roofless and returning to earth, mark where families once cultivated almonds and olives on terraces that predate memory. Spring brings white blossom against grey stone; autumn turns the same trees into burnt gold against ochre earth.
Water matters up here. Carry more than you think necessary—the nearest fountain sits in the village square, and the shadeless tracks offer little mercy during July's furnace heat. Winter walks bring different challenges: north winds knife through the valley, and the TV-7001 occasionally ices over enough to strand residents for days. October and April provide the sweet spots, when temperatures hover around eighteen degrees and the light turns honey-thick across the terraces.
The Conca de Barberà stretches below like a rumpled quilt—vineyards stitched between cereal fields, dark cypress marking property boundaries, the Francolí river glinting silver where it catches the sun. This is working landscape, not wilderness. Farmers still burn stubble in autumn; the smoke drifts upwards like signals from another century.
What Feeds the Body
Forès itself offers nothing in the way of sustenance beyond a single vending machine in the square dispensing warm water and crisps. The bakery closed when Señora Martinez died in 2018; the bar followed during the pandemic. Plan accordingly. Montblanc's medieval walls harbour proper coffee and decent menú del día for twelve euros, while L'Espluga de Francolí three kilometres south does excellent grilled lamb with local wine.
That wine deserves attention. The Conca de Barberà denomination flies under most radar, producing mainly from the native trepat grape—light, peppery reds that taste of these limestone hills. Cellar visits require advance booking; English isn't guaranteed but the language of tasting transcends vocabulary. Bodega Conca de Barberà in Montblanc offers Saturday tours at 11am, eleven euros including three generous pours and enough local cheese to constitute lunch.
The village's August fiesta brings temporary population explosion—perhaps 200 people, including returnees from Barcelona and Tarragona. Three days of music, communal paella, and dancing in streets too narrow for the purpose. Accommodation within Forès doesn't exist; nearest options cluster in Montblanc's medieval quarter or rural houses scattered through the valley. Book early for fiesta weekend; late August fills fast with Catalan families escaping coastal humidity.
The Weight of Quiet
Evening arrives suddenly. The sun drops behind Prades and the temperature falls ten degrees in as many minutes. Streetlights—recently installed, controversially—flicker on with orange hesitation. From the cemetery edge, where the village ends abruptly at cliff face, the valley spreads into purple darkness. Below, car headlights trace the N-240 like slow-motion fireworks. Up here, someone practices violin scales through an open window. The notes carry across the gorge and dissolve into pine forest.
Forès isn't for everyone. The silence that enchants at first can become oppressive by day three. Mobile signal drops entirely in parts of the village; the nearest shop requires a twenty-minute drive. Rain turns medieval drainage into medieval mud; summer heat reflects off stone until midnight. Some visitors leave after an hour, unsettled by the lack of obvious attractions or Instagram moments.
Yet for those who stay, who walk the terraces at dawn when mist fills the valley like liquid marble, the village offers something increasingly rare: a place that refuses to perform for tourism. Forès simply exists, as it has for a millennium, indifferent to whether you find it charming or boring. The stones don't care about your opinion. The wind carries on regardless. And somewhere between the Romanesque arch and the abandoned almond terraces, you might remember that travel isn't always about seeing new things—sometimes it's about remembering how to be quiet.