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about Cànoves i Samalús
Municipality at the foot of Montseny, known for the Can Cuch chestnut tree.
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The morning bus from Barcelona drops you at a junction where the road simply stops climbing. At 346 metres, Cànoves i Samalús sits where the Vallès Oriental plain gives up and turns into the Montseny massif. The air smells of woodsmoke and damp leaves even in May, and the church bell strikes the hour exactly three minutes late—a minor rebellion against metropolitan punctuality.
This isn't one of those villages that pretends time stopped. Satellite dishes bloom from stone farmhouses whose owners commute to offices in Sant Celoni or Granollers. Yet the place still runs on firewood deliveries and the seasonal rhythm of mushrooms rather than stock markets. Walk past the baker's at 7 a.m. and you'll see the same three men in waxed jackets discussing rainfall as their grandfathers did, only now the conversation pauses for WhatsApp pings.
The Architecture of Survival
Sant Martí de Cànoves squats on a modest rise, its Romanesque bones visible beneath 18th-century plaster like an old man's frame under a new coat. The doorway's carved arch shows weathered saints who've watched over this valley since before Barcelona had street lighting. From the churchyard you can read the landscape: scattered hamlets connected by dirt tracks, cereal fields giving way to holm oak, and the first serious peaks of Montseny bruising the horizon.
The farmhouses—masías—are the real monuments here. Thick stone walls the colour of storm clouds support terracotta roofs fired in local kilns. Many still have their original threshing floors, now converted to terraces where weekenders drink vermouth. One, Can Rovira, has been restored as a rural B&B; breakfast includes eggs from hens that wander past your bedroom window. Prices start at €85 for two, cheaper than most city hotels and infinitely quieter.
What's striking is how the buildings work with the slope rather than against it. Barns back into hillsides for insulation, courtyards angle to catch winter sun, water cisterns collect roof runoff. This is architecture born of necessity, not Pinterest boards, which explains why it still functions three centuries on.
Walking Through Three Climates in One Morning
The marked path from the village centre to Font de Sant Martí climbs gently through olive groves where tractors sit rusting like neglected sculptures. Ten minutes in, you're under chestnut canopy so dense the temperature drops five degrees. By the time you reach the spring—stone basin, iron pipe, water cold enough to make your teeth ache—you've crossed from Mediterranean scrub into proper mountain forest.
Serious hikers can keep going to Turó de l'Home, the 1,700-metre summit that dominates Montseny Natural Park. That's a six-hour round trip requiring proper boots and a map; the tourist office stocks them, open weekday mornings only. More realistic is the two-hour loop to Samalús hamlet, passing three disused ice houses carved into rock faces. In the 19th century, locals harvested winter ice for Barcelona's fish markets. Now the stone chambers echo with bat wings and teenage graffiti.
Mountain bikers share these tracks, though you'll see more wild boar prints than tyre marks on weekdays. The GR-5 long-distance footpath also passes through, meaning occasional pilgrims heading to Montserrat who look mildly surprised to find civilisation this far up.
What People Actually Eat Here
Thursday is market day in the small plaça. One stall sells nothing but beans—white mongetes, purple favetes, tiny black trepat used in stews that taste of smoke and rosemary. The cheese woman keeps her produce in a cool bag because proper refrigeration would require generator power; try the goat's milk formatge de tupí, fermented in clay pots and strong enough to make your tongue tingle.
Restaurant options are limited to two. Cal Xic has been in the same family since 1923; their speciality is cargols a la llauna, snails baked with garlic and picada until they taste of earth and iron. A plate costs €12, bread included. Can Pau, up the hill towards the cemetery, does a fixed lunch for €15: soup, rabbit with prunes, wine from a plastic jug. They'll serve tourists but clearly prefer the farmers who've been coming after Sunday mass for forty years.
If you're self-catering, the village shop stocks local sausages cured in the mountainside breeze. The botifarra negra contains enough blood to make English black pudding seem anaemic; fried with apples it provides serious fuel for walking. Buy bread before 11 a.m.—the baker closes when he sells out, usually by noon.
The Reality of Rural Proximity
Getting here without a car requires patience. The R2 Nord train from Barcelona takes 45 minutes to Granollers Centre, then a twice-daily bus crawls the final 12 kilometres. Services reduce to Sundays-only between November and March when many second homes stand empty. Driving's quicker—40 minutes via the C-17 toll road—but weekend traffic backs up for miles at the Montmeló roundabout thanks to the Formula 1 circuit.
Weather changes fast at this altitude. Summer mornings start clear but clouds often roll in by 2 p.m., bringing brief violent storms that turn paths to streams. Winter brings proper frost; the road to Samalús gets icy enough that locals fit snow chains, something rarely needed this close to the Mediterranean. Spring and autumn offer the best balance—mild days, cool nights, mushrooms in October, wild asparagus in April.
The village swells from 3,300 residents to perhaps 6,000 on August weekends when Barcelona families flee the city heat. Parking becomes theoretical, café tables scarce. Yet even at peak times you can find solitude: walk twenty minutes in any direction and the only sounds become insects and the distant clank of goat bells.
Cànoves i Samalús doesn't deliver dramatic views or bucket-list sights. Instead it offers something increasingly rare: a working landscape where people still make livings from land and forest, where lunch depends on what grew that season, where mobile reception fails but springs still run cold. Come prepared for that particular silence which isn't absence but presence—the sound of a place simply continuing.