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about Palomas
Town on the banks of the Río Palomillas, noted for its Mudejar bridge and riverside setting.
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The Village That Fits Between Vine Rows
At 326 metres above sea level, Palomas sits low enough to escape the harshest mountain weather, yet high enough to catch the breeze that ripples through endless vineyards. The village stretches barely a kilometre from end to end, its white-washed houses arranged like spectators around a modest plaza where elderly men still gather for dominoes at ten each morning.
The approach road winds through Tierra de Barros, Extremadura's wine country, where the earth turns reddish-brown and olive groves interrupt the geometric patterns of vines. Unlike the dramatic hill towns further north, Palomas occupies gentler terrain. The surrounding landscape rolls rather than plunges, making it accessible year-round though winter floods can occasionally isolate the village when the nearby streams swell beyond their modest banks.
A Morning in the Plaza
The heart of Palomas beats slowly, dictated by agricultural rhythms rather than tourist schedules. By 8am, the single bakery has sold out of its daily bread. By 9am, the bar fills with workers grabbing coffee and tortilla before heading to the fields. The parish church, austere and practical like the village itself, opens its doors for mass on Sundays and little else. There's no ticket office, no audioguide, just a building that has served its community since the 18th century through harvests, droughts and the gradual drift of young people towards Badajoz and Madrid.
The streets radiating from the plaza reveal the architectural DNA of rural Extremadura. Houses present plain facades to the world, their beauty concealed within interior patios where families still grow geraniums in terracotta pots. Metal grills guard ground-floor windows, though crime rates here hover near zero. The occasional modern intrusion—a satellite dish, a plastic toy abandoned on a doorstep—serves only to emphasise how little has changed in decades.
Walking the Agricultural Labyrinth
Palomas offers no signposted trails, no visitor centre maps. Instead, walkers follow the agricultural tracks that fan out between crops. These caminos, wide enough for tractors, provide access to a landscape that shifts with the seasons. In March, almond blossoms create brief explosions of white among the grey-green olive foliage. By late August, the vines hang heavy with grapes destined for the local cooperatives, their leaves turning bronze under the Extremaduran sun.
A circular route of roughly five kilometres leads south-east towards the neighbouring hamlet of Hinojosa del Valle, though few outsiders complete the circuit. The path climbs gradually, revealing how Palomas sits within a shallow bowl of agricultural land. Wild asparagus grows along the verges in spring; locals know exactly where to look. The serious walking country lies further north towards the Sierra de San Pedro, a forty-minute drive away where vultures ride thermals above proper hills.
Summer heat demands early starts. By 11am from June through September, temperatures regularly exceed 35°C, turning afternoon walks into endurance tests. Winter brings the opposite challenge—clear, sharp mornings where the lack of cloud cover allows heat to escape rapidly after sunset. Frost isn't uncommon in January, though snow remains rare enough to cause village-wide excitement when it arrives.
Wine Without the Theatre
The villages of Tierra de Barros produce wine in quantities that would astonish visitors familiar only with Rioja or Ribera del Duero. Palomas itself harbours no grand bodegas, no architectural statements in glass and steel. Instead, small producers work from functional buildings on the village outskirts, their stainless-steel tanks visible through open doors. The local cooperative handles most grapes, turning them into robust reds that rarely travel beyond Extremadura.
Tasting opportunities exist, but require planning. Bodegas Pozo Amargo, ten minutes drive towards Almendralejo, opens for pre-booked groups of eight or more. Their young tempranillo sells for €4 a bottle—prices that reflect production costs rather than quality. The more interesting wines come from family operations where English isn't spoken and international visitors remain novel enough to warrant genuine curiosity about how they discovered the village.
Food follows the same unpretentious pattern. The single restaurant, La Posada, serves migas—fried breadcrumbs with garlic and pork—on Thursdays when the owner can source proper country bread. Weekend menus feature gazpacho extremeño, the local variant that arrives thick with vegetables rather than the chilled soup familiar to British palates. Expect to pay €12-15 for three courses, wine included, though choices remain limited to whatever appeared at the morning market in Zafra.
When Celebration Overrides Tranquillity
Palomas transforms during its September fiestas when the population triples as former residents return. The fairground occupies the football pitch, brass bands parade through streets too narrow for their formations, and the village's single cashpoint runs dry by Saturday afternoon. The wine harvest brings its own celebrations, though these occur in fields rather than plazas, spontaneous gatherings when tractors deliver their loads as dusk falls.
Semana Holy Week passes with greater solemnity. Processions remain modest—twenty men carrying a single paso, women in black maintaining silence broken only by drumbeats. Visitors expecting Seville's theatricality will find something more affecting in its simplicity: faith practised for neighbours rather than cameras.
The Practical Reality
Reaching Palomas requires accepting that Extremadura's excellent motorways bypass rather than connect rural villages. From Badajoz airport, hire cars navigate 80 kilometres of increasingly minor roads. The final approach involves sharing space with combine harvesters that occupy the full width of the lane. Public transport exists in theory—a twice-daily bus from Zafra that connects with trains from Seville—but missing the 2pm departure leaves visitors stranded until the following morning.
Accommodation options remain limited. The village offers no hotels, though two houses in the centre rent rooms to visitors who don't mind sharing breakfast with the owner's family. More comfortable bases lie in Zafra, twenty minutes away, where the fifteen-century parador provides proper facilities while maintaining access to Palomas for day visits.
Three hours provides sufficient time to walk every street, photograph every noteworthy facade, and drink coffee in both bars. Staying longer reveals rhythms invisible to passers-through: how the church bell marks quarters rather than hours, how the bakery's exhaust fan signals fresh pastries, how agricultural workers gather at specific times that shift with the seasons but never appear on any timetable.
Palomas offers no grand revelations, no Instagram moments waiting to launch a thousand likes. Instead, it presents Spain as experienced by those who remain when tour coaches depart—quieter, harder, more honest about the realities of rural life in a country where 80% of citizens now live in cities. The village rewards visitors who arrive without checklists, who can appreciate the radical difference between somewhere designed for tourism and somewhere simply getting on with living.