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about Nalda
A village with a restored castle overlooking the Iregua valley, known for the fiesta de los gallos.
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The church tower appears first, a square stone marker rising above almond terraces that drop away towards Logroño. At 624 metres, Nalda sits just high enough to catch different weather from the valley floor—morning mist that lingers twenty minutes longer, afternoon breezes that carry the scent of pine rather than tractor diesel. This modest altitude difference shapes everything: the almonds ripen a week later, the local wine has sharper acidity, and winter arrives with proper snow perhaps twice each season.
Walking Uphill, Looking Downhill
The village spills down a south-facing slope in deliberate disorder. Streets switchback between stone houses whose ground floors serve as garages for ageing Seat Ibizas and storage for agricultural kit. Nothing here was designed for visitors—pavements narrow to nothing, doorways open directly onto the roadway, and the gradient hits 15% in places. Comfortable footwear isn't advice; it's survival. Those who arrive in city trainers usually surrender halfway up Calle San Pedro, retreating to the plaza where the bar keeps plastic chairs in permanent shade.
What rewards the climb are the accidental viewpoints. Every junction offers framed compositions of the Iregua valley: wheat stubble gold against dark green kermes oak, irrigation channels glinting like silver wire, the A-12 motorway a distant grey ribbon that reminds you Logroño sits just fifteen minutes away by car. The contrast works both ways—drive up after breakfast in the capital and the temperature drops five degrees. Locals call it "subir a la sierra" even though Nalda technically occupies the first foothills rather than proper mountains.
Stone, Brick, and the Church That Orientates
Iglesia de la Asunción squats at the village's gravitational centre, Romanesque bones clothed in later additions. The interior repays the effort of finding whoever holds the key—usually the woman in the house opposite with the green door. Her grandfather helped restore the main altarpiece after civil war damage; she'll point out where the original craftsmen used pine instead of oak because supplies ran short. The tower serves as Nalda's compass rose: visible from every approach path, it guides walkers back when afternoon clouds roll in from the Moncayo massif.
Surrounding streets retain houses with coats of arms carved above doorways, though the paint has faded to illegibility on most. Wooden galleries—miradores in local parlance—project from upper floors where families once stood to watch festival processions without leaving home. Some have been glassed-in as winter dining rooms; others rot gently, their ironwork rusting onto passers-by after rain. This isn't a museum piece but working housing stock, where satellite dishes clash with medieval stonework and nobody apologises for either.
Paths That Leave When the Tarmac Ends
Three marked trails depart from the upper cemetery, each following ancient mule tracks deeper into the Sierra de Cameros. The shortest—two hours round trip—drops to the Iregua river then climbs through almond terraces to the abandoned hamlet of Poveda. Stone terraces here predate the Reconquista; farmers still harvest almonds using poles their grandfathers carved. Spring walkers find the valley floor carpeted with wild tulips, while autumn brings migratory birds funnelling through the gorge. The going underfoot remains rough—proper boots essential after rain when the limestone becomes lethally slick.
Longer routes connect with the GR-93 long-distance path, threading through villages where the civil war split families and memories remain raw. Maps show these as easy day walks, but Spanish contour intervals flatter to deceive. What appears a gentle 300-metre ascent often involves scrambling up loose scree where wild boar have rooted for bulbs. Carry more water than seems necessary; the nearest shop sits back in Nalda's single commercial street, and mountain streams run dry by July.
Eating What the Valley Provides
The village maintains one proper restaurant, Casa Toni, where the menu never quite changes with the seasons because locals demand their favourites year-round. Lamb chops arrive sizzling on terracotta tiles, the fat crisped exactly how José has cooked them since 1987. His wife prepares vegetable dishes that convert even committed carnivores—pimientos del piquillo stuffed with salt cod, artichoke hearts braised in local white wine. Wine lists favour nearby bodegas; try the Maceración Carbonica from El Rasillo if they've not sold out to Logroño weekenders. Expect to pay €18-22 for three courses, wine extra at €2.50 per generous glass.
Weekend lunch starts at 2.30pm sharp; arrive earlier and you'll interrupt staff meal while Toni watches horse racing on the bar television. Booking helps but isn't essential except during August festivals when the population triples with returning emigrants. The alternative is Bar Deportivo opposite the town hall, where pensioners play cards and teenagers negotiate first dates over plates of patatas bravas. Their tortilla arrives properly runny in the centre—send it back if you insist on British dryness, but expect raised eyebrows.
When the Village Belongs to Its People Again
Mid-August transforms Nalda completely. The Virgen de la Asunción fiestas drag descendants back from Bilbao, Barcelona, even Birmingham. Streets fill with conversations in Riojan dialect that Castilian speakers struggle to follow. Processions start at 7am because by midday the temperature hits 36°C in shade that barely exists. Brass bands rehearse until 2am; sleep becomes theoretical. This isn't staged folklore but genuine chaos—last year's fireworks display misfired, sending rockets into the almond groves and starting three small fires that neighbours extinguished with garden hoses.
January's San Antón offers quieter authenticity. The morning animal blessing sees farmers lead horses, dogs and the occasional pet rabbit to the church plaza. Women distribute chunks of matanza pork—morcilla, chorizo, tocino—while men argue about football. Temperatures hover around 4°C; the wood smoke from neighbouring houses forms a low haze that catches the winter light. Photographers love it, but bring gloves—Spanish cold feels different, damper, than British frost.
Getting There, Getting Away
Public transport barely exists. One daily bus leaves Logroño at 1pm, returning at 6am next day—useful only for committed insomniacs. Car hire from Bilbao airport takes two hours via the AP-68 toll road, though the final approach via the LR-250 winds enough to test novice drivers. Winter driving requires snow chains perhaps twice each season; the council clears main roads quickly but side streets remain white until afternoon sun does the job. Parking sits unrestricted except during fiestas when every flat surface becomes someone's cousin's space—follow local example and abandon cars wherever they fit.
Accommodation means either Casa Toni's three rooms above the restaurant or rural houses scattered through the municipality. Book the former for convenience, the latter for space and proper heating. British visitors often underestimate January nights—temperatures drop to -8°C and Spanish rural housing assumes you own thick pyjamas. Summer visitors face the opposite: most bedrooms lack air-conditioning, relying on metre-thick stone walls that stay cool until about 4am.
The honest assessment? Nalda suits walkers who don't need hand-holding, drivers comfortable on mountain roads, travellers happy inventing their own entertainment. Come for half a day and you'll see everything twice; stay three days using it as a base for valley exploration and the village reveals rhythms invisible to rushed visitors. The mountain light at 7pm in late March makes the stone glow honey-coloured; you'll photograph it instinctively then realise nobody else is watching. That's probably enough.