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about Eslava
Known for the Roman site of Santa Criz; farming village in the lower mountains
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Five Hundred and Sixty Metres Above the Morning Rush
At dawn the cereal fields below Eslava still wear night-time silver, but the village itself is already butter-coloured. Built from the same limestone that ribs these low, folded mountains, the houses seem to grow out of the ridge rather than sit on it. You notice the height—560 m—less in any grand panorama than in the air itself: thinner, cleaner, carrying the dry perfume of barley stalks and a faint metallic note from the railway line hidden in the valley. The A-12 autopista is only fifteen minutes away, yet up here traffic is measured in the slow flap of a magpie crossing the single street.
A Parish Door That May Stay Shut
The Iglesia de San Martín de Tours stands at the top of the only gentle gradient the village possesses. Its bell tolls the hours with the enthusiasm of someone who has forgotten the time: eleven strokes at ten-to, silence at midday. The masonry is 12th-century in places, patched with 18th-century brick, then repointed again after the 1930s. Step close and you can read the masons’ chisel marks like tree rings. Inside, two retablos painted in ox-blood and flaking gold occupy the side chapels; the central altarpiece went to Pamplona in 1923 and never came back. Whether you see any of this depends on whether the caretaker has remembered his keys—there is no posted timetable, and the metal latch may answer your tug with a polite shrug. If the door stays shut, content yourself with the tympanum: a weather-worn rosette that still manages to look surprised after eight centuries.
A Twenty-Minute Loop Through Someone’s Front Garden
Eslava has no ring-road, no industrial estate, no pedestrianised heritage quarter. Instead the street folds back on itself like a dropped ribbon, passing stone houses whose ground floors still stable the family donkey or, more often nowadays, a pair of quad bikes. Timber eaves project just far enough to offer midday shade; under them geraniums compete for space with dried maize cobs hung to discourage witches—or mice, opinions differ. A carved lintel dated 1642 carries the coat of arms of a long-extinct cadet branch of the Velaz de Medrano family; the house behind it has fibre-optic. The entire circuit takes twenty minutes unless you pause to read every plaque, in which case allow thirty. You will not get lost; the village ends where the wheat begins.
Tracks That Leave the Map Behind
Three farm tracks strike south from the last lamp-post. The widest, signed only as “Camino de la Estación”, descends through vineyards to the abandoned halt of Eslava-Aldiez, 3 km away. Trains still pass, but they no longer stop; passengers are replaced by roe deer that wander across the buckled platform at dusk. A narrower path climbs east to the ridge of La Boal, gaining 200 m of altitude in a sweaty kilometre. From the crest you can trace the river Arga twisting north towards Pamplona, its meanders marked by poplars the colour of wet limes. Carry on another forty minutes and you drop into the next valley, where the village of Lerga offers a single bar and a terrace that catches the last sun. Round-trip: two hours, plus whatever you spend arguing over the correct pronunciation of “Lerga”.
When the Thermometer Swings
Spring arrives late at this height—cherry blossom in early May, swallows a fortnight afterwards. Summer days can top 34 °C, but the night air slips below 18 °C by ten o’clock, so farmers leave upper shutters open for the draught. Autumn is the sweet spot: the cereal stubble glows ginger, and the surrounding vineyards turn traffic-light red. Winter brings the occasional snow crust that melts before lunch; roads are gritted promptly because the regional councillor keeps a holiday cottage here. If an easterly levanter wind sets in, the village smells of damp stone and woodsmoke for days.
Where to Eat (and Where Not to)
Eslava itself has no restaurant, no café, no shop. The last bakery closed when its oven roof fell in during the 2012 thunderstorms. For coffee you drive ten minutes to Olite, where the bakery inside the petrol station on the NA-6030 does a respectable cortado and sells individual custard tarts for €1.40. Locals phone ahead to the roadside venta “El Rabito” (tel: 0034 948 74 30 72) for roast lechazo—milk-fed lamb—served at 14:00 sharp; arrive late and the dripping potatoes will be gone. If you insist on staying within the village boundaries, bring bread, cheese and a bottle from the cooperative bodega in nearby Murillo el Cuende, where tempranillo sells at €4.50 a litre in your own container. Picnic tables occupy the tiny plaza opposite the church; the bench on the north side catches afternoon sun and gossip in equal measure.
A November Fête with Free Caldico
Every 11 November the village doubles in size. The feast of San Martín is dragged to the nearest weekend, and the priest blesses a pen of two lambs in the square before they are raffled for charity. A metal cauldron appears, tended by men who have been arguing since dawn over the correct proportion of onion to chorizo. The resulting caldico—thin, paprika-red broth—costs nothing if you bring your own bowl; plastic ones are frowned upon. By 16:00 someone produces a guitar missing two strings, and the mayor’s wife sings a copla that half the crowd knows. By 19:00 the wind has sharpened, the fields smell of frost, and the visitors drive away satisfied that nothing has happened.
Getting There, Staying Elsewhere
The nearest airport with year-round UK flights is Bilbao, 1 h 50 min by car on the AP-68 and A-12. Biarritz is marginally closer but can close in winter fog. Pamplona’s tiny terminal offers summer-only routes, so unless you fly between May and September, ignore the city’s Hotel Eslava—it sits 35 km from the village anyway, and shares nothing but the name. Base yourself instead in Olite, where the medieval parador has doubles from €120 including breakfast, or in one of the farmhouse rentals south of Murillo where prices drop to €65 mid-week. Hire cars are cheapest collected at Bilbao airport; fill the tank before leaving the motorway because the village has no petrol pump. Cash machines are equally absent—insert your card in Olite or risk washing dishes for your lunch.
The Quiet You Can’t Photograph
Leave Eslava at the same slow speed the place has taught you—second gear, windows down—and the ridge sinks behind like a ship going astern. There is no souvenir to unwrap at home, no selfie that captures the wind rattling last year’s maize leaves along the gutter. What you take away is the memory of a village that refused to speed up, even when the rest of Navarra put up signposts to “experience centres” and started charging for parking. Return next year and the church door will still be locked on a whim; the caldico will still taste faintly of smoke; the wheat will have grown head-high where the street ends. That, for the moment, is enough.