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about Lónguida
A valley running alongside the Irati River; a quiet farming area dotted with small villages and palaces.
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The church tower of San Miguel Arcángel appears five minutes before the rest of Longuida does. It rises from wheat fields that roll like a pale inland sea, a stone exclamation mark at 580 m above sea level, announcing a settlement too small to merit a daily bus yet large enough to have kept its own council records since 1391. Pull off the NA-1110, park by the stone trough, and the only soundtrack is a single tractor and the wind that has crossed thirty kilometres of grain before arriving.
Longuida is the church quarter of Murillo de Longuida, a name most sat-navs abbreviate away, which explains why travellers overshoot, double back and finally find a place that looks closed even when it isn’t. The village sits on a low ridge between the Linares and Ega rivers, high enough for the summer air to stay breathable when Pamplona swelters 90 km east, but not high enough for Alpine scenery. Instead you get a sober palette of ochre stone, terracotta roof tiles and the shifting greens and golds of cereal crops that surround the houses in every direction.
Inside the one-bar, one-plaza core, the streets are narrow enough to touch both walls with outstretched arms. Granite blocks the colour of wet sand anchor the lower halves of houses; upper storeys wear timber balconies painted ox-blood red or Brunswick green. Laundry hangs from wrought-iron rails, and elderly residents park themselves on folding chairs to follow the slow-motion gossip of the day. Nobody hustles for tips; nobody tries to sell you anything, because beyond the bar there is nothing to buy.
The fifteenth-century church keeps the same unflustered rhythm. Its door is usually locked, but the key hangs on a nail inside the bar – ask, and the barman will hand it over with the same ceremony he uses for a packet of napkins. Inside, the single nave smells of candle wax and dusted stone. Retablos from three centuries crowd the sanctuary, gilded and slightly chipped, while a Romanesque font sits low enough to baptise a toddler without strain. Climb the tower if you have head for uneven steps: from the top the view is 360 degrees of farmland stitched together by dry-stone walls, with the Pyrenees a faint paper-cut ridge on the northern horizon when the air is clear.
Walk out of the village at dawn and the temperature can be six degrees cooler than on the valley floor; by midday in July the differential vanishes and the wheat crackles underfoot. A lattice of farm tracks radiates for four or five kilometres, flat enough for walking shoes but muddy after rain. One path drops to the abandoned linoleum factory beside the Linares, its corrugated roof long gone and swallows nesting in the rafters. Another climbs gently to the oak grove of La Barranca, where wild asparagus pushes through the leaf litter in April and locals arrive with carrier bags at first light. Neither route qualifies as a serious hike; think of them as breathing space rather than exercise.
Back at the plaza, Bar El Carmen opens at seven for coffee and closes when the last customer leaves. There is no printed menu. Ask for “lo que hay” and you will be offered a pork chop the size of a paperback, charred on the outside, juicy within, plus a plate of roasted piquillo peppers and a quarter-litre of house garnacha for €11. Vegetarians get a thick potato tortilla and a lettuce heart dressed with oil that was pressed 20 km away. White asparagus arrives from a tin, but it is the silky Navarre variety; dunk it in the obligatory alioli and concede that tinned can be superior to fresh. Payment is cash only – the card reader broke in 2019 and nobody has missed it.
The village’s annual fiesta honours San Miguel on the last weekend of September. Visitors expecting marching bands will be disappointed: the programme consists of mass, a communal lunch under a plastic awning, and an evening dance that winds up before midnight so the farmers can milk at dawn. Easter is even quieter – a single candlelit procession that moves through streets too narrow for the bearers to swing the platform properly, giving the carved Virgin a submissive, shoulder-shuffling gait.
Practicalities intrude, as they must. Longuida has no shop, no cash machine, no petrol station and, crucially, no public transport. The last bus left in 2012 and is unlikely to return. Hire a car at Bilbao or Biarritz airport – both are under two hours away on fast motorways – and stock up in Estella, 17 km east, where supermarkets stay open until 21:30. A taxi from Estella costs €30 if you miss the turning and need rescuing. Mobile signal hops between Spanish and French masts depending on the weather; download offline maps before you arrive. The only place to sleep is Villa Clementina, a six-room house converted by Mercedes and Fernando, who speak fluent guide-book English and will lend you a walking map annotated with their own coffee-cup rings. Double rooms start at €95 including breakfast (strong coffee, homemade membrillo, bread that could wake the neighbours when toasted).
Come between May and mid-June and the wheat is knee-high, the air smells of wild fennel and the nights still require a jumper. Mid-July to August is furnace-hot; sightseeing is best finished by 11:00, after which the only sensible activity is a deckchair in the shade and a cold bottle of Navarre lager. Autumn brings stubble fires and the smell of burnt straw, while winter can trap the village under a fleeting crust of snow that melts by lunchtime but turns the lanes to chocolate pudding. Chains are rarely needed, yet a front-wheel-drive car is prudent from December to February.
The common mistake is to treat Longuida as a sight rather than a pause. Arrive, tick the church, photograph the stone trough and you will be gone in forty minutes, wondering why you bothered. Stay for the evening light that gilds the stone, listen to the wheat rustling like distant applause and you understand the place’s single boast: it offers nothing beyond time to notice everything. When you leave, the tower recedes in the rear-view mirror until only the crops remain, and the silence stays with you all the way to the motorway.